Tag Archives: the characters in your book

Invest in the characters of your book

Learning how to make our characters strong, believable, lovable, loathed, and focused is something we all should strive for as writers. I want to fall in love with my character or hate them so badly I want to see how the book ends. I follow through with the liking of a character. There are some books, but by the time it ends, I wish the one I fell for would go away, as my alliance has shifted to the villain who is suddenly incredible.

If we stick to the physical aspect of what our characters look like, while we may describe the description, one can only go so far with looks. So invest in your characters, go to the root of what makes them who they are, what they are, and why I should, as a reader, get so invested in this one person. Chances are the book will not be read to the end if you don’t.

How strong are the characters in our book? Do they make the reader invested in them relatively soon, or does it drag on? The format is simple: Who? Where? What? How? When? Why?

Simple enough, but then break it down even further. Who did what and where, and how was it done and why? Or you can say how it happens to this other character in the book. The possibilities are endless, depending on how big your cast is in the book.

Also, talk about your character’s weaknesses. For example shows us what they like, fears, hopes, goals, strengths, and more. By doing that, you give your person the best chance of working, whether to be loved or hated. As a reader, the book, no matter how well written, will be either read and honestly reviewed or not read at all.

Invest in your characters, and they will do wonders for your book.

Do you know the characters in your book from a to z?

How well do you know the characters in your book?

Yes, you will give the readers a physical description as well as mental and emotional attributes. Well, hopefully, you do.

But how well do you know your character inside and out? If someone asked you about them, would you be able to answer them satisfactorily?

Creating characters in our books is not as simple as throwing lines against a wall and see how many, if any, will stick. We, as readers, need to be invested in them to keep the pages turning.

Creating personalities in one’s manuscript is part of being a writer. The better you are in tune with your characters, the better read it will be

I tend to talk to my characters as if they are real. I have conversations going back and forth, which map out things I might not have thought of before. It is odd, and I suggest you don’t do this in public but getting a good grasp of this imaginary human is vital. And unless you take the time to do this right, one can’t be surprised if people turn on the very same characters you say you love.

How developed are your characters?

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How much of your personality goes into your books? Do any of the characters share any of your qualities? Do you create a character of someone you know? Maybe you create a character with traits you wish you had. To date, I have not done that with any of my books that are fiction.

Developing characters is fun to do, yet it does require an author to step back and mull over how this “person” will appear to the readers.

Some characters your readers will fall in love with others they will hate that will propel the storyline. But having a lack lusting person won’t do you and your book any favors.

One should not rush into this. You create a physical description, but you also have to include mental and emotional aspects. You need a well-rounded person, one that the reader can invest in love or hate and imagine in their head.

I have had children ask me about Jasper and if he is in any way like he is in the book. It is an easy question with Jasper being a member of our family in real life. It is easy to put into the book his personalities and antics I have observed over the years.

I am striving for this with the books I write in other genres. I want my fans to see my characters in their minds. I want them to have a range of emotions concerning the characters as they turn the pages toward the end.

If I don’t spend the time beforehand and mull over how to develop my cast, they won’t go very far.